Hello Again Let's Go Shake It Up Best Friend's Girl Candy-O I Saw The Light Dangerous Type Moving In Stereo All Mixed Up Black Maria You Might Think Drive Bang The Drum You're All I've Got Bye Bye Love Not Tonight
Just What I Needed
Review by SueW:
Review by Grady Moates:
When it happens, it's magic. . . to quote Todd (from 'The
Ever Popular Tortured Artist Effect' video, "There's a
compression of consciousness" that happens. Each musician,
in the worship of each song, seems to effortlessly hit all
the right pitches, the right syncopated beats, the right
emotional tones, to allow each song to live. . . for a few
moments, and be as good as it can be. That's what's going
on with The New Cars. I've seen it with my own eyes. I've
heard it with my own ears. Tonight.
I haven't seen this level of precision, in service to the
song, in a decade or more; and as each musician kicks their
own contribution up a notch, the others are challenged to
follow. I can see why Todd is so "into" this project. . .
it's easy to see, when you've seen the problems on many of
the other joint ventures he's assisted over the years. . .
A Walk Down Abbey Road, Ringo's All Starrs. . . it's one
thing to put a bunch of talented musicians together and
have them play -- it's quite another thing when the SONGS
are the point of it all. It COULD have been that way on
AWDAR, but sadly the magic didn't happen. But it IS going
on with The New Cars.
Now don't get me wrong. . . I'm not saying that the
Cars songs are some kind of songwriting gold, but they
WERE major hits of the decade, setting the tone for the lives
of quiet desperation that many of us were living at the time.
The songs cannot now be separated from their effects upon
each of us at the time they were radio's favorite flavor.
At the time that "All Mixed Up" came out, I was exACTly
that. . . in 1978 I was embroiled in my third marriage, and
it wasn't going well at all. The lyrics to this tune almost
exACTly mirror my feelings toward that woman. I cannot
now disassociate the song from the experience, and it
colors my enjoyment of the song. This was a MAJOR
part of my life. It's over now, and I'm glad it's gone, but
it's still in my memories, for better or for worse, and. . .
my life experiences deserve songs that can help me
revel in the fact that, hey. . . I SURVIVED that!!
Sloppy performances won't do it. But The New Cars
DID it. That's what I mean by "In Worship Of The Song".
Todd's voice was dead-on all night, his inflection
and intonation, his emotional pitch, exactly where it
needed to be. Kasim's vocal delivery on "Drive" and "All
Mixed Up" was perfect. Drive in Reno was so much better
than on the "It's Alive" CD. Kasim and Todd have
reached out and made this material their own.
All the arrangements ran like well-oiled machines,
great starts, killer endings, nothing sloppy at all.
Those critics who feel that their job is not done until
they find something to complain about should just sit
down, "in the moment", and involve themselves in what's
happening NOW. This show is JUST FINE.
I ran into Michele after the show. . . she and Randy
were here. Michele said (with no urging from me) that
Black Maria by these guys is the best it's ever been.
I agree. It's blistering hot, and technically perfect.
Kasim just slays me with his interpretation of the two tunes he
sings. My Todd can he morph! When I heard the recording from the
January show, I was worried, 'cause he hadn't wrapped himself around
it fully at that time, and I didn't know if he could make it the rest
of the way there. _Drive_ an incredibly difficult song to sing right,
mainly 'cause it requires such an extended hold of almost all the
notes with no vibrato at all, and special inflections to fully convey
the emotions in the lyrics. Last night, Kas was DEAD ON!
I have to reveal now that I was not a huge Cars fan, but _Drive_
was one of the "songs of the year" for me, since I just LOVE to sing
harmony (years in church choirs and HS and College choruses as a second
tenor) and _Drive_ gives you so many excellent harmony phrases to sing!
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